scott lafaro car accident

Killed in a car accident aged just 25, Scott LaFaro was widely regarded as the most technically gifted bassist of the 20th Century. The music of Jazz Abstractions proceeds as a series of shadings, which tend to be called variants on the finished LP. Dont get fancy, no double beatsPlay whats written.LaFaro flew east, passed the audition, and signed on for a six-week tour of one-nighters with Goodman. Your IP: But LaFaro had a pronounced Dolphy streak too, in that both musicians were playmakers, facilitators, helping others to raise their games by playing theirs at the highest level. I remained close friends with Scotty in New York, and would go over there to see and admire them, and Scotty and Paul would come over to the Five Spot, too. Scott Yanow, All-Music GuideScott LaFaros life and career were cut short in July of 1961. Just about any jazz fan knows that on June 25, the 25-year-old had been in NYC as part of Bill Evans trio at the Village Vanguard, cutting the Sunday live date that will be reissued and repackaged so long as the earth continues to spin. Other times, its distilled into a moment that seems to transcend itself, and thus it went for Paul Gonsalves, hero of a Newport afternoon. Providing entertainment, education, and the energizing force that pulls us all together in celebration of great work. The CD reissue of the album contains several outtakes. It was an idyllic childhood. The young bassist was friends to other artists and art during his all-too brief sojourn upon the mortal coil. LaFaro died in an automobile accident in the summer of 1961 in Flint, New York on U.S. 20 between Geneva and Canandaigua, two days after accompanying Stan Getz at the Newport Jazz Festival. Born 1936 in Newark, N.J., La Faro studied clarinet and tenor sax as a boy, but in college switched to bass. According to Paul Motian, the death of LaFaro left Bill Evans "numb with grief", "in a state of shock", and "like a ghost". 1926). This brings about the situation of whether I should spend these hours and months developing what I seem to be able to foresee, or should I dump it and get another job as an entertainer again. Did you and your brother spend time at the Smith Opera House (which was Schines Geneva Theatre back then)? Tom was honored by the Jazz Journalists Association with the Willis Conover-Marian McPartland Award for Career Excellence in Broadcasting in 2019. Fraternal guidance, in that this endeavor allowed fellow band members to do what they best did. Genre. Helene says that she and Scotty were taken to hear Tony Bennett, the Mills Brothers, Dizzy Gillespie and numerous others. Jade Visions: The Life and Music of Scott LaFarorecounts how three days after his appearance at the Newport Jazz Festival with the Stan Getz Quartet, hed driven to Geneva, NY to take care of some business related to his mothers home there. Haynes shared with Scotty a fastidiousness about clothing, and hed just been named toEsquiresBest-Dressed list. "[3], It was voted number 465 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).[10]. Mom needed the money. What a natural setting for a multi-ecosystem guy like LaFaro, the dream bassist for a project of this nature, which is jazz, classical, painterly, open yet demonstrative. Kuhn is uncertain about exactly where he met LaFaro, but says it was most likely when he heard the Evans trio at the Five Spot late in 1959. The three not duplicated here were played only once that day. Tales are told of how much John Coltrane practiced, but you could say the same about the bassist from Newark. Once he got the gig, his college days were over. LaFaro died in an automobile accident on July 6, 1961, in Seneca, New York,[5] on U.S. Route 20 between Geneva and Canandaigua,[9] four days after accompanying Stan Getz at the Newport Jazz Festival. Also, the exertion of a formidable musical will to take what was there, in an act of guidance. While his music education began in grade school with piano and then clarinet and tenor saxophone in junior high and high school, he didnt start playing bass until his senior year, and only because a string instrument was required for his enrollment at Ithaca College, where his intent was to major in clarinet and tenor saxophone. Become a member and get exclusive access to articles, live sessions and more! It is these performances, currently available as Sunday at The Village Vanguard and Waltz for Debby that comprise the number one best jazz live recording in this present series. [citation needed], By late 1960, LaFaro was in demand as a bassist. By. Already a member? The BMW then struck a fourth car which was traveling south on Corbin Avenue. Q: When did your brother start getting interested in music? Then wed go home and have dinner and ice cream. In Meet Me at Jim & Andy's: Jazz Musicians and Their World, Gene Lees wrote, "The shock of LaFaro's death stayed with Bill for years, and he felt vaguely guilty about itHe felt that because of his heroin habit he had made insufficient use of [their] time togetherAfter LaFaro's death, Bill was like a mane with a lost love, always looking to find its replacement. For Evans, Misery offered a glimpse of a relationship to come., Two months later, on December 28, 1959, the Bill Evans Trio made its premiere recording for Riverside,Portrait in Jazz. Scott Yanow, All-Music Guide Scott LaFaro's life and career were cut short in July of 1961. Mom needed the money. Bassist Dave Green joins Alyn Shipton to pick the highlights of these, and to trace the other significant records in LaFaro's brief but brilliant career. This page was last edited on 24 February 2023, at 08:03. While driving home late one night his car went off the road and struck a tree. Christian said, Scottys playing was the bible for bass playersJimmy Blanton the old testament, Scotty the new., LaFaro spent the evening of July 5 with old friends in Geneva then drove 80 miles west with Frank Ottley to visit another friend in Warsaw who was house-sitting at a place with a good stereo. LaFaro was honored in 2012 in Geneva, where a street was renamed Scott LaFaro Drive and an annual Scott LaFaroDay was inaugurated. Sign in to continue reading, Sixty years after the bass greats untimely death, a look at his musical legacy beyond the Bill Evans Trio. Bud Powell. He was a musician from age 4. When did your brother start getting interested in music? Its there for a reason, and thats not solely to complement the proof of the magic that occurred at a New York City club in late June 1961. After three months at Ithaca College, he concentrated on bass. In 2009 she published a biography about him, Jade Visions: The Life and Music of Scott LaFaro. Bill Evans. How did that happen? After that touch of piano, he really started to enjoy music and develop a keen awareness of what it was all about. What happened to your brother after Ithaca College? LaFaro broke new ground on the instrument, developing a countermelodic style of accompaniment rather than playing traditional walking basslines, as well as virtuosity that was practically unmatched by any of his contemporaries. Tonight Show, 14 Feb 1957. After Scotty joined the Buddy Morrow Orchestra, he traveled with them all over the country until they reached California, as he really wanted to be where the West Coast jazz scene was happening. In Jade Visionshe says, Scott wasnt what one would consider a big band bass player. Performers: Bill Evans, p; Scott LaFaro, b; Paul Motian, d. 28 Dec 1958. Other birthdays Monday: Jimmy McGriff, 64; Harold Vick, 19361987; and Eric Kloss, 51. Ornette Coleman, Eric Dolphy, and others were also featured, and LaFaro drew notice from Dan Morgenstern inMetronomefor a solo remarkable for its technical skill and musical weight. The piece was Schullers Variants on a Theme by John Lewis (Django), which he would also appear on in December when Schullers work was recorded for the Atlantic Records release,Jazz Abstractions. His records with Bill Evans are among the finest jazz trio discs ever made. There was great rapport. This article is about the 1961 Village Vanguard recordings. In 2009, Resonance Records reissued five tracks from Memories for Scotty on Pieces of Jade, together with twenty-two minutes of LaFaro and Bill Evans practising "My Foolish Heart" during a rehearsal in 1960. LaFaro-Fernandez: When Scotty was in sixth grade we took our first piano lessons. But LaFaro makes the music pulsehe provides its heartbeat and flow. As such, the album is a sort of memorial record for him; all of the tracks featured were either written by him, or feature a bass solo performed by him as the centerpiece of the track. Then wed go home and have dinner and ice cream. Scott LaFaro - Artist Details. And how does it go? How did that happen? It was there his career exploded. He was his own thing. He waited until we got interested, and then he was totally supportive. [7], In June 1961, the Bill Evans trio began two weeks of performances at the Village Vanguard in New York City. Grit is not a LaFaro staple, but that does not mean texture isnt. Many believe that Evans never fully recovered from the loss, as well as that it contributed to his pattern of heroin usage, an addiction that would later kill him. I was 19 and working. In Jeff Campbells essay, Scott LaFaro: The Complete Musician (an addendum toJade Visions), he singles out the trios performance of So What, saying that LaFaro and Kuhn engage in a brief musical dialogue just prior to the return of the theme[improvising] melodic ideas that are intertwined in a conversational manner. Campbell notes that LaFaros accompaniment on Whats New is much more activethan the traditional conventions of ballad playing., It is an interesting fact, Campbell asserts, That the earliest example of LaFaros active, conversational ballad accompaniment was with Steve Kuhn and not Bill Evans. When I ran this claim by Kuhn, he said, I dont agree with that necessarily. During World War II the club scene changed and he came back to Geneva where he could find work. Our Dad was from here. Sometimes its defined by contrasting stylistic paths that amalgamate into a career, as with Miles Davis. 1950s - 1960s. I quit very fast, but he was a natural. He practiced from sheet music for the higher-pitched clarinet to improve his facility the upper register for bass. Celebrating the life of Genevas legendary jazz bass hero Scott LaFaro has become an annual event at the Smith Opera House, ever since the City of Geneva declared April 3, his birthday, as Scott LaFaro Day in 2014. To top it off, the old cars didn't have self-sealing gas tanks and as in the case of LaFaro's accident, if they ruptured, frequently resulted in fire. Cloudflare Ray ID: 7a154b16ff047cd4 Oscar Peterson Trio . In fact, the tune Glorias Step, was an outgrowth of his interest in those chords. He also recalls getting the call from Scotty to spell the ailing Evans for a couple of nights at the Jazz Gallery. Freidman, LaRoca, and LaFaro recorded a demo session in 61 thats now available in a companion CD to the biography,Pieces of Jade. Your family ended up following Scotty out to California. In the latter case, Getz fired LaRoca and hired Roy Haynes, but Kenton wasn't about to be second-guessed. He played a lot of top, cymbals, and Scotty wanted more drums, says Kuhn. The two albums released by Riverside Records from that fabled performance,Sunday at the Village VanguardandWaltz for Debby, have long stood as his epitaph. https://www.youtube.com/watch?v=faSD3g1ndHE, LaFaro began working regularly with Ornette after Evans became ill with hepatitis in July 1960 and went to Florida to recuperate at his parents home amid rumors that hed died. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world. Styles. He also played in Stan Getz's band between jobs with the Bill Evans trio. The tendency is to associate him with classical predilections, but here he is at one of the zeitgeist-shaking avant-garde sessions, and boy, does he drive the sound. You may additional context in comments. LaFaro-Fernandez: On Sundays our family would go to church, then go to the movies in the afternoon. He replaced Charlie Haden as Ornette Coleman's bassist in January 1961. He used a Zen epigram in the closing of his letter to Gloria: Im trying to remember a bit of Zen I like so well: If you seek the fruits ofgood actionso shall they escape you. I try to smile everyday with that., https://www.youtube.com/watch?v=uugimR8honE, When I asked Kuhn if Scotty had similar anxieties about touring with Getz, he said no, but he recalled a bandstand incident between the bassist and the tenor player whom Kuhn called extraordinarily paranoid. One night at the Blackhawk in San Francisco, he said, they clashed. That huge sound and strength of attack is finger-sprung alone. Gleason commented, It is, however, as a vehicle for bassist Scott LaFaro that the LP really impresses. Later in the year, he toured and recorded with the Cal Tjader-Stan Getz Sextet. He would practice for hours: he had all these Sonny Rollins solos he had written out in bass clef! I still have people from all over the world knocking at my doorstep, wanting to see where Scotty played. Cool Modal Music Post-Bop. Jim Hall. Mangione remembersLaFaro calling Baker an American tragedy, and says, Over the years, [Scotts] using the term an American tragedy still strikes me as incredibly ironic and portentous [given what happened] that night., At about 1:45 on the morning of July 6, LaFaro apparently fell asleep at the wheel and veered off Route 5-20, hitting a tree and killing himself and Ottley instantly. That is what so many families Sunday ritual were like. Born in Irvington, New Jersey, the son of a big band musician, Rocco Scott LaFaro (April 3, 1936 - July 6, 1961) was five when his family moved to Geneva, New York. The portion of Linden Street that runs from Seneca Street to South Exchange. LaFaro is one of those players who register to the ears like more than one man, generating a huge amount of sound with ostensibly little effort, and that sound resonating as direct, controlled, economical; this is part of the reason why. Ted Gioia, in his 1997 survey,The History of Jazz, said, "LaFarotook far greater chances, departing markedly from the traditional walking line, instead offering countermelodies and guitar-like phrases. LaFaro was taken from this world 60 years ago, on July 6, 1961, in Flint, New York, where he was involved in an auto accident a few days after playing with Stan Getz at Newport. April 3, 1936 in Newark, NJ. . 52.119.1.55 Scott LaFaro. Scott LaFaro at Newport July 2, 1961 - Killed in a Car Wreck 4 days later. Nearly six decades later, Helene LaFaro-Fernandez continues to keep her older brothers flame alive. [1] With Evans and drummer Paul Motian he developed the counter-melodic style that would come to characterize his playing. DSD 128 fs (2) DSD 64 fs (2) . LaFaro went on to perform with Victor Feldman, Chet Baker, Benny Goodman, Stan Kenton, Stan Getz and Ornette Coleman. Born in Newark, New Jersey, he was an influential jazz bassist best known for his work with the Bill Evans Trio. Those years of self-discovery can be challenging at times and those moments found their perfect expression in the Village Vanguard SessionsI listened to that music for so many hours that it became my constant silent companion and a beacon of hope.. Scotty and I were born in New Jersey but we moved back to Geneva in 1942. There is also a street off of Seneca Street, just across from the Smith Opera House, that has been renamed Scott LaFaro Way. The Scott La Faro book was wonderful. LaFaro-Fernandez: After Scotty played at the Newport Jazz Festival with Stan Getz (July 1961), he went to Geneva to try to convince the people who had been renting our house to buy it. LaFaro died in an automobile accident in the summer of 1961 in Flint, New York on U.S. 20 between Geneva and Canandaigua, two days after accompanying Stan Getz at the Newport Jazz Festival. Kuhn remembers hearing that it was a St. Christopher medal that LaFaro always wore that helped to identify his badly burned body. Before that grim July night, LaFaro had been a busy bassist. She proposed the demo as something to shop around to record labels; alas, nothing came of it. His records with Bill Evans are among the finest jazz trio discs . Evans also went on hiatus after LaFaro's death for a period of several months. Killed in a car accident aged just 25, Scott LaFaro was widely regarded as the most technically gifted bassist of the 20th Century. Later we moved to Elmwood Place, and during the summer we would spend many of our days at the Brook Street Playground. Performers: Pat Moran, p; Scott LaFaro, b; Gene Gammage, d. 1958. He was visiting some friends west of Geneva and was driving home late when he crashed. The all-timer live session that produced the aforementioned discs is rounded out by two studio LPs, Portrait in Jazz (1960) and Explorations (1961), which I sense are not listened to as much as they ought to be, but the Vanguard date is sufficiently lambent that it pulls us to it, which is good on one handthis is one sweet, invigorating flameand less than ideal on the other, because Scott LaFaro (who, along with Jimmy Blanton, Id posit as jazzs most important bassist) was a lot more, and did a lot more, than the prevailing narrative would have us believe. LaFaro continued to play this bass until his death. LaFaro achieved fame in the Bill Evans Trio, which he joined in 1959 and which featured Paul Motian on drums. The entire day's recordings were released in 2005 as The Complete Village Vanguard Recordings, 1961. Such is the legacy of bassist Scott LaFaro, though I would suggest that what was was more than we often think. After that touch of piano, he really started to enjoy music and develop a keen awareness of what it was all about. Also, Club 86 was bringing in major stars as well. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock . Shortly after, he acquired a bass made in 1825 in Concord, New Hampshire by Abraham Prescott. In his liner notes, producer Orrin Keepnews focused on the phenomenon of Bill Evans thepianist, but the lone paragraph devoted to the other members of the trio noted that they werent limited toconventional rhythmic backing, and cited Autumn Leaves, as a harbinger of things to come. Scotty sat in. "[12], In 1988, Insights label of RVC Corporation in Japan released Memories for Scotty. For the 1964 album with Monica Zetterlund, see, The Complete Village Vanguard Recordings, 1961, "Bill Evans Trio: Sunday At The Village Vanguard & Waltz For Debby", Plays the Theme from The V.I.P.s and Other Great Songs, Turn Out the Stars: The Final Village Vanguard Recordings, Consecration: The Final Recordings Part 2, On Broadway Vol. Lets call it the chimerical voice of the rhythm sectionas well as what could often be the lead instrument when LaFaro was in your band. Bill had first heard Scotty with Chet Baker three years earlierNot long after we were back off the Goodman tour, there was a call waiting for Scottythat Bill wanted him to work with him., The first meeting of what became known as the trio took place at a Tony Scott recording date on October 28 and 29, 1959. His sense of time was freer, less tied to the ground beat, than any jazz bassist had previously acheivedIt is not going too far to see this short-lived trio as redefining the nature of the jazz rhythm section. LaFaro joined the Bill Evans Trio in 1959 and, although he would record with Ornette Coleman (including Free Jazz) and gig with Stan Getz, the bassist is best remembered for his association with Evans, particularly their Village Vanguard recordings of 1961. You can read our interview with Holland. My dad loved the director, so we had to go and have that experience as well. Pictures of people only please! Published since 1970, JazzTimesAmericas Jazz Magazineprovides comprehensive and in-depth coverage of the jazz scene. Scott LaFaro was born 64 years ago today. I was also told by classical bass players that this also changed things for them because as was with all music pretty much up until then, the bass was considered more of a rhythm instrument only. That is what so many families Sunday ritual were like. We would explore all around our neighborhood on West Street our house was where the elementary school is. Well, Michael Cera did play a bassist in Scott Pilgrim Vs. the World. You can email the site owner to let them know you were blocked. He emphasized high notes, could play with great speed and his interplay with Bill Evans in their trio was mutually stimulating and influential. She recalls that Zoot Sims so impressed her brother that he was impatient for the intermission to end, and that bassist Leroy Vinnegar hummed all the while he was playing, a habit Scotty later developed as well. Helene says he talked about seeing Duke Ellington for weeks, shaking his head in disbelief of howthey could fool with the melody and make it so much more. As for religion, she says that whenever shes asked, I always answer, We went wherever the music was best. That was Dads criterion, be it a mass at a Roman Catholic church or Friday evening Shabbat dinner at the cantors home., Scottys first instruments were piano, clarinet, and tenor saxophone. A driver was killed when a car crashed into a home in the Hancock Park . Performers: Buddy Morrow, tb; Walt Stewart, tp; Dick Johnson, as; Scott LaFaro, b; plus unidentified other musicians. We were the kind that played a fraction, a millimeter behind. [1] For a time, Haden and LaFaro shared an apartment. My mom was still pregnant with my last sister. ", https://www.youtube.com/watch?v=r-Z8KuwI7Gc, Jade Visionscredits the demo session that LaFaro made with Steve Kuhn and Pete LaRoca nearly a year later as one where this conversational approach to group dynamics was evident. Driver was killed when a car scott lafaro car accident 4 days later on 24 2023! He acquired a bass made in 1825 in Concord, New Jersey, toured... Not mean texture isnt and strength of attack is finger-sprung alone LaFaro staple, but that does not mean isnt! And ice cream allowed fellow band members to do what they best did with my last.. And influential Kuhn, he acquired a bass made in 1825 in Concord, New Hampshire by Abraham.... 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Boy, but he was an outgrowth of his interest in those chords older Brothers flame alive how John... ; Paul Motian, d. 1958 hiatus after LaFaro 's death for a couple of nights at the Smith House.: the life and career were cut short in July of 1961 in their trio was stimulating. In July of 1961 texture isnt with the Bill Evans are among finest... To play this bass until his death 2009 she published a biography about him Jade! To take what was was more than we often think bass made in in! With Evans and drummer Paul Motian, d. 1958 ailing Evans for a period of several months released in as! Stan Kenton, Stan Getz and Ornette Coleman 's bassist in January 1961 LaRoca hired... The ailing Evans for a time, Haden and LaFaro shared an apartment 1961 killed. However, as with Miles Davis of what it was a major shock which he joined in 1959 which. That would come to characterize his playing tend to be called variants on the finished LP Scott! 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