After last nights post that I rendered almost incomprehensible by inexplicably calling the subject of it by two different names, the phrase Get the brick will signify a statement, assertion or error by your host that suggests creeping dementia.The phase now joins Niggardly Principles, You owe me a keyboard, Axis of Unethical Conduct, the Julie Principle, #22 and many other terms that puzzle new or occasional readers. appendNewsletterSignup(); ouibounceAPIaccess = ouibounce( The tour guides, composed mostly of well-off white women, were given two-year museum passes as a thank you for their service. } Taylor Dafoe, crossDomain: true, Maybe those artists are too white and will go out the door with nary a Thanks than the docents did. Meaningful change, it is often said, now demands they be replaced with paid employees. We are eager to support our community through meaningful and culturally responsive arts learning experiences, and we thank you for your continued collaboration and support. + '<\/div>'; var initOuibounce = setInterval(function() { By scaling back our program to a limited number of paid educators, the Learning and Public Engagement department will be better positioned to train, support, and manage this staff, facilitate program evaluation, and perform quality assurance. } Join now to unlock comments, browse ad-free, and access exclusive content from your favorite FDRLST writers, Helen Raleigh, CFA, is an American entrepreneur, writer, and speaker. They were canned in a masterpiece of authentic frontier gibberish authored by Veronica Stein (above), the museums newly appointed Womans Board Executive Director of Learning and Public Engagement, who announced her priorities as designing culturally responsive programming and anti-racist curricula, cultivating fully accessible spaces, and ensuring staff wellness and learning. Somehow, anti-racism also meant eliminating the trained and dedicated docent staff because they were too white. If the answer is never, because they are weenies and foolsand it might bethere is no calculating how far this Bizarro World version of justice and inclusiveness might go. Rebecca Zorach teaches, curates, and writes about early modern European art, art of the Black Arts Movement, and contemporary activist art. + '